Written by Mat CutsAming brotherhood into other places.
They visited Anguleme, in Azhane, and in Toulouse.
But in 1650, in January, they arrived into Narbonnu. They say, that in spring this year Mr.
Moliere to the period left company in order to visit secretly Paris.
There are no doubts whatever about the fact that in winter 1650 Moliere with the company moved into Pezena city, in which left on itself the only memory in the form of receipt to four thousand livrov, which it obtained for its comedians on the order of gentlemen of the members of states, who gathered into Pezena for discussion of important tax questions.
Receipt, undoubtedly, shows that Moliere gave ideas for the members of states.
In spring 1651 Moliere again visited Paris, moreover took on loan in father thousands of nine hundred seventy five livrov, having convincingly proven to father, that without these money it- loop, because it should pay other remainders of debts on the bright theater.
After paying off with whom must was in Paris, it again was released to wander with its company.
One very important circumstance here was explained. It proved to be, that
Mr.
Moliere feels tendency not only toward the game in the plays, but also toward the composition of plays personally. In spite of hard labor day work, Moliere began at night to write things in the dramaturgical kind send flowers to kansas buy online florist.
Are somewhat strange that the person, who dedicated himself to the study of tragedy and being counted on the tragic line of business, in his compositions to the tragedy after ill-starred “Fivaidy” completely it did not return, but began to write the merry, reckless one-act farces, in which he imitated to Italians, to great masters in this kind send flowers to mexico buy online florist.
These farces greatly were pleased to the companions of Moliere, and they introduced them into the repertoire. Here we meet also with another strangeness.
The greatest success in these farces became to use in the public itself Moliere, who plays the ridiculous roles, predominantly Sganareley.
The question arises: where Moliere did learn to transfer so well ridiculous on the scene. Apparently, here where. The ill-starred bright theater when was based, or somewhat earlier than this time in Paris appeared, in the number of other Italian actors, famous and most talented the executor
a constant Italian mask Of skaramuchchia, or Skaramusha, Fiorelli's Tiberio.
That dressed from top to bottom in the black, with one only white corrugated collar on the neck, is " black, as night”, according to Moliere's expression, Skaramush struck Paris by its virtuoso tricks and brilliant manner of the report of ridiculous and lung of Italian text in the farces.
They indicated in Paris that beginning his career comedian Cambric Poklen was at Skaramushchu and requested him to give to it the lessons of stage skill. And Skaramush to this agreed.
